Vladimir Zocca
INFINITY SKY OF SOME PICTURES
steady gaze who feel the temporality being.
images Giuseppe Catania, Sicily young photographer working in Bologna, looking for signs of the real through the three dimensions of time: natural, human and historical.
's a way to investigate with his photographic eye traces and fingerprints from the settled time.
Thus, in the instant merger graphics, three-dimensional shapes as they are signs and found objects from the consciousness of the artist.
These objects, the apparent opacity of matter, ghosts issue of being natural, such as fragments of life revived in artistic vision.
In view of this, fixed on the surfaces of nature, the technological extension of the fitting photo puts the eye of Joseph live, on the one hand, with landscapes of reality, the other with its deep interior.
Then, the objects sought and secured the Moment, as exiles in their original time, become imaginary landscapes of the interior, so show dazzle , a shadow of light, carved on the stone floor of an old abbey gray, like reverse a disturbing shadow.
This metaphysical tendency of the compositions into action a kind of conceptual process. In this regard, the caption is significant Abbey placed under the photograph of a staircase of a dilapidated abandoned factory from the first English industrial revolution.
In this way, Joseph uses the wonderfully warped power that the word has seen the image, breaking the referential mechanism of photography itself. Moreover, the sense of the sacred scene to the borders of a mystical vision in the snow whitening the steps Mr. Smangle from time, turning it into a scale of light toward an eternity outside of time.
Paradoxically, this concept of the photograph is taken to Joseph against technology, of a nineteenth-century, when Balzac saw a figure in the photographic image consisting of many strati sovrapposti, come membrane spettrali, sottratte progressivamente al corpo o all’oggetto fotografati.
Quasi il nostro artista volesse liberarsi dalla costrizione della strumentazione fotografica per catturare più liberamente l’immagine degli oggetti invisibili e registrarne la trama luminosa.
E’ un’operazione che consente, anche se solo su di un piano concettuale, di rappresentare la dimensione spettrale dell’esperienza.
Quella esperienza di fronte alla quale, per R. Barthes, il soggetto “si sente diventare oggetto”.
Da questa prospettiva, Giuseppe, in quanto “operatore fotografico” sembra voler recidere i suoi legami con le poetiche della realtà, accentuando la soggettività dell’inquadratura e il taglio non naturalistico della prospettiva.
Anche se l’azione operativa mantiene quel che ineliminabile di realismo spontaneo offerto dai segni di connessione fisica o indiziali, per i quali è fondamentale lo stretto degree of similarity with the objects represented.
The historical time, the linear one that consumes and transforms into an aesthetic vision of the ruins, as is stopped the instant photographed, so the picture becomes a form of photographic time suspended.
But this time the suspension does not prevent his exit from history, not to the infinity of time.
And 'what is known in In between frames , where the view, climbing a vertical perspective from the bottom up, as well as the pointed arches of a cathedral in ruins, instead of the ceiling meets a 'opening in the blue sky.
E 'then that Joseph Catania free photo shoot from the instant of the finite time, caught in the tracks worn by its flow, to ascend to the eternal infinite sky.
The photo exhibition is Giuseppe Catania AREA CULTURAL BEAUTY ORSINI
Square Mascarella port 2 / 2, edited by Riccardo Amigoni
aperta dal12/02 al
26/02
0 comments:
Post a Comment