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Music box

Alex Busi

When the glam and style combine music

There 's an English duo, and that' still small .. has produced only one lp , does not play in big arenas (at least for now ..), not (yet) of millions of fans, but they have all the powers to grow and become great. The Hurts were Adam and Theo, England Manchester, the their music and 'a mix of synth-pop, new wave and new romantic and not' hard to see the influences of the eighties and early 90s .., Depeche Mode, Ultravox, Sister of Mercy, Duran Duran .Quello che caratterizza  gli Hurts, oltre alle musiche raffinate e curate, e’ l’ attenzione scrupolosa  alla propria immagine, basta vedere la copertina del loro lp in fascinoso bianco e nero , le foto ufficiali, i video (il loro ultimo video raffinatissimo e molto curato è ispirato al mito di Orfeo ed Euridice),  la compostezza  del duo in concerto durante il quale sul pianoforte di Adam spicca  un mazzo di rose bianche dal quale Theo di tanto in tanto attinge per lanciarle al pubblico; cosi’ come la gestualita’ teatrale del cantante che accenna con le mani leggeri movimenti  come a descrivere con i gesti le parole delle canzoni ; le luci , il contorno, tutto e’ estremamente glam!!  Il  loro look raffinato sobrio e retro, quasi cinematografico,  ha richiamato l’attenzione di Giorgio Armani che li ha voluti ospiti durante la serata del Vogue Fashion Night Out di Milano in settembre.

Il duo ha prodotto un solo  lp,” Happiness”, riscuotendo discreto successo in Inghilterra ed in  altri paesi europei, nelle vendite e nelle performance live. Si sono esibiti  come unica data italiana del  2011   venerdi 18 febbraio  all’Estragon di Bologna  e non hanno deluso le nostre aspettative. Un elegante concerto, una voce potente e suadente, un duo affiatato, che sicuramente non manchera’ di stupirci con nuovi lavori. Ciliegina sulla torta del concerto…gli agguerriti fan… un caloroso pubblico proveniente da ogni parte d’Italia per cantare e supportare con i loro idoli i successi di “Happiness”.

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'THE MASK THE WEDDING RINGS

As a child, the Carnival was one of my favorite holidays: disguise I've always liked being someone else for a day was a great game and no matter if the dress was to be charming with her fan damina bought the feast of the patron or improvised kimono silk grandmother Rose, who made me a geisha beach flip-flops along with the year before ....
The important thing was to fly with the fantasy and be for a day quell'eroina, that character that I had dreamed for a whole year.
the streets was a party, a riot of Zorro and Sandokan, Indians and cowboys, princesses and little ladies, clowns and puffins, all cheerfully set to launch confetti and streamers.
And there were large, dressed as housewives or peasants, who suddenly small funny scenes, fake fights, which is aligned in a grotesque scenes of daily life in the country.

Today the carnival is no longer a special moment because the mask ... we bring everyday to work, with friends, family and sometimes ourselves.
And then down the mask, at least for today!
to one day get rid of the conventions that oppress us, the attitudes that imprison us ... let us arm ourselves the courage to be ourselves.
And if we do not succeed at least we make sure that Carnival still exists for children, parents are often forced to wear in two years idiots layers and layers of lace and brocade expensive nineteenth century that "Woe to you if you dirty, "or worse, to assume the role of those who would never be in a costume with or without a rope is why ... original. I shudder at the thought ...!!!
If our society is stupid does not mean that we must all be idiots!

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Per molti ma non per tutti

di Mari Land

Dategli una maschera e sarà sincero

‘Giù la maschera!’ è un tema che ha sempre intrigato.

Innanzitutto è un accessorio e come tutti gli accessori che si rispettano si amano o ti rimangono indifferenti.

La maschera, come oggetto, è antica come il mondo. Nella commedia dell’arte la maschera significava ‘essere un altro da sé’, nel teatro Elisabettiano gli attori si truccavano usando coprenti ceroni, baffi posticci oppure parrucche dalla lunga chioma bionda per interpretare personaggi femminili.

Truccarsi per creare una maschera è proprio un’azione quasi catartica nel teatro orientale; difatti l’attore ‘entrava’ nella parte man mano che completava la sua ‘trasformazione’.

Da qui facciamo un viaggio velocissimo nel tempo e passiamo ai giorni occidentali contemporanei.

The mask to this day it is and what it represents? I try to lighten the subject suggested harmless and funny masks that are used in Carnival, the one found in Venice, but that's not all.

The form also appears in different situations, for example, was used during the fashion shows. In this case it is just an ornament. Francesco Scognamiglio Spring / Summer collections 2010 has used the hats that adorned the face of the model by ensuring that this might become a kind of mask, which consisted of a cage adorned with twinkling stars. Very dramatic and beautiful.

Designers indulges itself in offering the shows, rather bizarre and imported accessories and beauty of the fashion show must 'affect', fascinated. Valentino proposed for the Autumn Winter 2010 masks made of antique lace pink, white and black. Effect Ancient Regime French and then cite as Sofia Coppola's Marie Antoinette with her in 2006? Offers theme parties and beautiful masks very challenging. Like the evergreen Jean Paul Gaultier che ha proposto per la Primavera Estate 2011, le sue ‘ragazze’ con volti coperti da mascherine ornate da piume e preziosità varie in chiave punk. Tra gli emergenti chi si diletta nell’arte del mascheramento? Ecco i nomi: Patrizia Josefa Antonacci di Milano con la maschera opera ‘Cage’, Fabio Marini di Venezia con una maschera a tema ‘Gondola’ e infine la coreana Lee Sung Hye di Firenze ha creato una super maschera chiamata ‘Origami’ (sempre in tema oriente). Maschere realizzate per il Carnevale di Venezia. Tutti usciti dal Polimoda. Complimenti! Oscar Wilde “Ogni uomo mente ma dategli una maschera e sarà sincero”.

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Briciole d'estetica

Vladimir Zocca

INFINITY SKY OF SOME PICTURES

steady gaze who feel the temporality being.

images Giuseppe Catania, Sicily young photographer working in Bologna, looking for signs of the real through the three dimensions of time: natural, human and historical.

's a way to investigate with his photographic eye traces and fingerprints from the settled time.

Thus, in the instant merger graphics, three-dimensional shapes as they are signs and found objects from the consciousness of the artist.

These objects, the apparent opacity of matter, ghosts issue of being natural, such as fragments of life revived in artistic vision.

In view of this, fixed on the surfaces of nature, the technological extension of the fitting photo puts the eye of Joseph live, on the one hand, with landscapes of reality, the other with its deep interior.

Then, the objects sought and secured the Moment, as exiles in their original time, become imaginary landscapes of the interior, so show dazzle , a shadow of light, carved on the stone floor of an old abbey gray, like reverse a disturbing shadow.

's a way of touching the metaphysical dimension space in its capacity as long as it settles in the extension of the vision.

This metaphysical tendency of the compositions into action a kind of conceptual process. In this regard, the caption is significant Abbey placed under the photograph of a staircase of a dilapidated abandoned factory from the first English industrial revolution.

In this way, Joseph uses the wonderfully warped power that the word has seen the image, breaking the referential mechanism of photography itself. Moreover, the sense of the sacred scene to the borders of a mystical vision in the snow whitening the steps Mr. Smangle from time, turning it into a scale of light toward an eternity outside of time.

Paradoxically, this concept of the photograph is taken to Joseph against technology, of a nineteenth-century, when Balzac saw a figure in the photographic image consisting of many strati sovrapposti, come membrane spettrali, sottratte progressivamente al corpo o all’oggetto fotografati.

Quasi il nostro artista volesse liberarsi dalla costrizione della strumentazione fotografica per catturare più liberamente l’immagine degli oggetti invisibili e registrarne la trama luminosa.

E’ un’operazione che consente,  anche se solo su di un piano concettuale, di rappresentare la dimensione spettrale dell’esperienza.

Quella esperienza di fronte alla quale, per R. Barthes, il soggetto “si sente diventare oggetto”.

Da questa prospettiva, Giuseppe, in quanto “operatore fotografico” sembra voler recidere i suoi legami con le poetiche della realtà, accentuando la soggettività dell’inquadratura e il taglio non naturalistico della prospettiva.

Anche se l’azione operativa mantiene quel che ineliminabile di realismo spontaneo offerto dai segni di connessione fisica o indiziali, per i quali è fondamentale lo stretto degree of similarity with the objects represented.

The historical time, the linear one that consumes and transforms into an aesthetic vision of the ruins, as is stopped the instant photographed, so the picture becomes a form of photographic time suspended.

But this time the suspension does not prevent his exit from history, not to the infinity of time.

And 'what is known in In between frames , where the view, climbing a vertical perspective from the bottom up, as well as the pointed arches of a cathedral in ruins, instead of the ceiling meets a 'opening in the blue sky.

E 'then that Joseph Catania free photo shoot from the instant of the finite time, caught in the tracks worn by its flow, to ascend to the eternal infinite sky.

The photo exhibition is Giuseppe Catania AREA CULTURAL BEAUTY ORSINI

Square Mascarella port 2 / 2, edited by Riccardo Amigoni

aperta dal12/02 al 

26/02   

Dark Brown Blood In Stool

DID YOU KNOW ...

Faith (or true) is the symbol that is exchanged in the rite of marriage by the spouses to swear loyalty for a lifetime.
The circular shape symbolizes the union of fact.
In the old wedding ring was a drawn on the soil around the couple as a sign of good wishes and good barbarian appears already during the ring as a symbol of connection, power, submission, promise.
The bride and groom, exchanging of the rings creates an indissoluble union, which is summarized in its essential form, sealed and seamless.
makes this sacrament is that it imparts the spouses themselves, sealing the promise of fidelity through their efforts.

BUT WHY 'THE WEDDING RING BE CARRIED NELL'ANULARE LEFT ...???

The answer is not so obvious as it may seem ...
Since ancient times the fourth finger was chosen to carry the ring.
This tradition has three origins:
♥ The first goes back to the ancient Egyptians who used to put a ring on the bride's true because it was believed that a vein in that finger to pass that went directly to the heart;
♥ The second part, however, refer to the Christian ceremony of marriage is the left ring finger which comes after the priest touched the first three calls on the Father, Son and Holy Spirit.
♥ Anatomically, the 'ring finger is the weakest hand because his flexor muscle is also linked to the pinkie finger and middle finger and is the first to form in the fetus.

Moreover, according to an 'ancient Chinese belief ...

The thumb represents parents.
's index represents brothers and sisters.
The average is ourselves.
The road is our partner.
The little finger represents our children.
Now follow the simple instructions:
showing the palm of your hands, bend the two middle fingers, and accostateli against each other.
Then add the other fingers, making sure their fingertips.
Now try opening your thumbs:
♥ This movement represents the separation from our parents, which unfortunately one day will no longer be on our side.
♥ Close your thumbs and open indexes: this means that our brothers and sisters one day will put on their family, away from us.
♥ Close your index and pinky fingers do the same with: our children too 'one day they take their way, they will become independent and form a new family.
♥ I closed the little fingers you will notice that the same process can not happen again with the ring, a sign of 'indissoluble union between partners.
You put the 'ring, promising not to ever divide us.

CMQ ... A wedding ring IS NOT ENOUGH IF YOU DO NOT HAVE FAITH IN THE HEART ... word of those who have not ever reach and is with the same man thirty years ... (23 + 7 wedding engagement )...!!!

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Psiché

Susana Liberatore

on camera that could see through your clothes

When talking about the masks we are now to think of something artificial, not natural, fake. We must then remove it, because in addition to it, hidden, there is the truth. But is that really so? Maybe knock it down before it is legitimate to ask the question of 'authenticity of it and its structural function.

To begin, I would take the considerations of' structuralist anthropologist Claude Levi-Strauss, who spoke masks in his study of primitive tribes. His starting point was the suggestion deep exerted on him by these masks since the days when he had been able to admire the American Museum of Natural History in New York. Their extraordinary value from the aesthetic point of view has failed to satisfy the interest of the anthropologist, that questions the meaning of those faces so unusual, sometimes frightening eyes and protruding tongues hanging, sometimes with deeply sunken eyes and mouth . 'S French anthropologist masks, like myths, are literary and artistic expression through which peoples or tribes define their worldview and their own criteria for classifying material and moral reality. It 'a play of difference and conflict, in which a person, through its use include "draw", agreeing to play a role in the symbolic coordinates of his social world, symbolic scheme which is the principle of' orientation that there can stand. "

The complex and fascinating relationship between the dress, the mask, the makeup and function of 'image in human life, as a remedy for the emptiness that pervades it, and was adopted by Eugénie Lemoine-Luccioni in his book " psychoanalysis of fashion. "[1] She cites a quotation from Jacques Lacan ..." L 'dress like the monaco, because in such a way they are. " Adding later ... "is the dress that turns out to be the form given to the cloth and it is precisely this form that weaves the fictional substance that corresponds to the 'I'. The dress looks like a skin, therefore symbolic, the 'envelope that shows the constitutive sociality of the subject. The dress can be what it contains and what it does believe that there is a feature. The human subject has found accommodation in the meshes of this net woven of desire and identification. Question why this would not be possible regardless of the forms completely.
Well, there 's need something to fill a void, in which precisely the woman has a special relationship. Jacques Derrida said that there is the essence of the woman, so it is always more inclined to change the play of masks, to 'use of veils to cover this inconsistency.

To close and as an example of this complex game of "presence-absence" for the women, let me share with you the "The monologue of Agrado" played by Antonia San Juan in the film "All About My Mother" (1999) Pedro Almodóvar. http://www.youtube.com/watch?v=hFTG1PCfk9s&playnext=1&list=PLB33930E826363ADD

... .. "They call me Agrado, because throughout my life I've always tried to make life more pleasant for others. In addition to pleasant, very true ... look at that body! All tailored
: almond eyes Ptas. 80,000, nose Ptas. 200,000, throw the garbage because the next year I have reduced it by another blow. I know me personally, but if I had known I did not touch him. Continuo ... tits, two, because I'm not a monster, Ptas. 70.000 each, but I have already superammortizzate; silicone lips, forehead, cheekbones, hips and ass, a liter is about Ptas. 100,000, so you do the account that I have already lost. Filing Ptas.75.000 jaw, permanent hair removal with laser-because women are from apes as much as men-Ptas. 60,000 per session, depending on how much has a beard, usually from one to four sessions, however, whether dancing the flamenco, it takes more! Light! Well. What I was saying is that it costs a lot to be authentic, my lady, and this thing is not to be stingy, because one is more authentic the more it looks like the idea that one is made of herself. "

P / S: This weekend, after I finished writing this text, I heard a joke that summed up and stressed, much better than me, what I meant. It told of 'a camera that could photograph under clothing. Only that the lens was so powerful that she could see beneath the skin.

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Futile inutile...orgasmico

Wanda

I mask my mask

down the mask!

I tried, I swear I tried!!

I have removed one, then another, then another. ... And I was surprised. ... I lost count over the years ... ..

But how many masks I?

I have so many that I can not remember who they are and what is the mia vera faccia…..

Alla fine sono la somma di tutte le maschere che indosso, di cui non posso fare a meno, che ho scelto, che mi hanno dato, che ho cambiato, che ho indossato per un po’ e poi ho accantonato per poi riprenderle nuovamente ma, fanno sempre parte della mia identità, sono io.

Sono la maschera della mia maschera.

Belle le mie maschere, alcune double face, ”capsule di maschere” per usare un termine modaiolo, ma tutte estremamente necessarie per poter vivere nel mio mondo di fuori, per poter sopravvivere al mio mondo dentro.

L’altro giorno ero in macchina con un amico e come al solito, anche se c’è la nebbia, indosso gli occhiali da sole.

Ora spiego una volta per tutte perché porto sempre gli occhiali da sole: mi hanno operata quattro volte agli occhi e sono sensibile alla luce,chiusa parentesi!!!!

Allora, dicevo, ero con Luca, salgo in macchina e compio tre azioni semplici semplici, meccaniche, quotidiane, mie:  Down with the sun visor to see me in the mirror, put on my sunglasses and put my red lipstick.

for me until then everything was "normal" then, Luke, in its lightness of "man" turns out for the moment, closing the door he turns and looks at me with a disarming smile , says: "Ale, lipstick, sunglasses and so on .... The Mask of Zorro! "

There and then I also laughed at the joke that it read as such, was really" light ", pretty and consistent tuttoil context, but who knows because the little word "mask" has accompanied me all day ?.....

No, I do not throw down the mask rather masks, hold me, like me, are mine.

are fake? Are false?

No, just aware of them and put them to good use.

Wanda from London loves you!

Program 3d Najbolji Render

The mini bar to quench your mind

comes from the collaboration between Morgans Hotel Group and The School of Life the first mini dedicated to satisfy our minds during the nights in the hotel.

This is an elegant box that contains:

• of Conversation Starters : u n September of 250 cards with questions, quotes and provocations to train our mente
• Collected  Thoughts   ( Vol.1 ) :  u n volume con i migliori  articoli  scritti   da  professori e   amici di  The School of Life , come Alain de Botton e Ken Worpole
• Reading Prescriptions : two readings create customized from The School of Life's Bibliotherapists designed to evoke moods relaxation or seduction
• Dreams & Fears Notebook : u n open book and a blank page for write their dreams and their fears
• Writer 's Block Pencil September : a series of three pencils with engraved quotations of Mark Twain , George Orwell , and Laurence Sterne .

A small concentration of very interesting design and content, useful for those suffering from insomnia and is often night in the hotel, to animate an evening with friends or to make a good impression when you're in good company. also buy online .

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L’estasi dell’artista

Marika Nesi

Doctor Pe ste

"I am a person with the suspicious air, I know, because I did not lie. [...] In my neck and chin are a whole, and it inspires mistrust. Even my mother was. "(Ian McEwan," Butterfly ")

There are masks who do not choose, there are buckled in the name of cliché, of habit.

To Franz Boas there is a connection between appearance and vulgarity of the soul back in fluent.

thing of the past? Maybe. News disconcerting? Probably.

When a friend stopped to watch me. Then, to make high-sounding announced:

-Your eyes bent down, you're one who tries to cheat his neighbor.

-I? - Tawny replied,-What if I pass in front of the cashier does not say a word?

eyes as a mirror of the soul.

Despite some attempts, physiognomy has never assumed the status of Science. But they are still many who think that low brow is laziness of ideas and it is recognized that the cruel thin lips.

And also some famous individual does not hesitate to tell us your own.

How Jovanotti, who in an interview to Vanity Fair speaks of "lungagnoni, which are fast and go far, and stocky, dangerous because they look at the world from the viewpoint of tanks.

There are masks that are being allocated and it is difficult to shake off.

And there are others which puts them saddled with us. For defense, because the risk of succumbing is strong.

Like the Plague Doctor, that during the epidemics that devastated the Venetian Republic was the only one allowed to cure the disease. It is said that at the end of his mask, with the tip-shaped beak toucan, spices were inserted to cover the stench of those infected. And with the illusion of healing the surrounding air. That form, in fact, protected from death.

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The usefulness of the business card - 3

comes from Design Shack a new collection of business cards really creative. After those shown here and here Here are just another great series.

For those who believe that the era of faded business card is a stroll among these little wonders can change the idea. Because it is true that the classic business card is perhaps a little today in the digital age, but a business card definitely innovative and creative you will remember.

Enjoy!

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Irene Zennaro

Just be yourself! Or not ...

Halloween is long past, but why not be someone else, even just for a moment?

With all this talk of authenticity, yoga, meditation, returning to 'inner self, I feel like stafogarmi of crap full of colors and behave badly, as some have done worse to become a very much used neologism.

Here's a little half-serious summary for temporary personality changes, made in USA of course.

- "Pull a Clinton", or shamelessly lie, deny the obvious , preferably on live television.

- "Pull to Bella." When some pimply teenager or early twenties is in the throes of a depression endless trips to the forests, you put in dangerous situations and respond to moans and grunts. As the female lead in Twilight and can not be missed: torn jeans, sweatshirts and tell all star perennially at the bottom.

- "Pull a Britney". Inspired by former beauty queen del pop, quest’espressione può stare ad indicare qualcuno che reagisce ad una fama improvvisa o ad un forte stress entrando nelle toilette pubbliche scalza, rasandosi a zero o ballando in modo seducente con un pitone giallo (personalmente la mia preferita).

-         “Pull a Lohan (Lindsey) or a Paris (Hilton)”. Semplicemente dimenticare di fare uso di biancheria intima. Le ragioni addotte vanno dal riscaldamento globale al dover indossare vestiti molto attillati, ma if there's half a car is always a bad end!

- "Pull a Dick Cheney, or shoot someone and then saying that it was an accident or that the poor were a quail. And get away with it.

- "Pull Jack Bauer." As the protagonist of the series "24", to be able to save the world with his bare hands and just fighting for a whole day without sweat, eat or take a nap. In short, the typical day in a kindergarten.

- "Pull a Palin." Follow the example of national and Sarah to be able to avoid the questions more insidious because you do not know the answer. This season of clichés with answers, congratulations to distract attention from the focus of the debate or invent whole words with the expression of someone who knows her. Ideally with a unified networks.

- "Pull a Homer." To be successful, despite your stupidity.

In his spare time can be one himself.